Monday, February 10, 2014

The Thematic Application of Music In "Twelfth Night"

?If music be the food of dearest, play on?? With these run-in as the play?s beginning, it comes as no discernment that the correlation amongst warmth and music turns out to be a significant motif of Twelfth Night, exploited lots by Shakespeare and on several occasions. His incorporation of song and instrumentation in the midst of prose emphasizes the atmosphere of melancholy and comedy that the communion creates, playing off of the action and bailiwicks of the play. This thought certainly holds a airmanship for the music made by the clown Feste in shoot II, scene IV. His short rhyme severalises the painful story of the worthless that accompanies unrequited love, which has obvious ties to the love triangle found amidst Orsino, Viola and Olivia. Howevera closer analysis of this song may be used to uncover the further constitutions that it addresses ? those of disguise and loss. Shakespeare makes these themes more well-defined with his use of literary devices, such as metaphor, oxymoron, and symbolism in the song. It is the employment of these rhetorical figures within the song paired with its tell between love and death that perpetuate the central theme of unrequited love based on disguise. From unrequited love springs death. This overly dramatic statement serves as the story withdraw of Feste?s song, mirroring much of the story of Twelfth Night where one-third characters become the victims of an unreturned love. The dramatic and extreme metaphor of death that is employed, however, is snug closely related to the similarly intense and exaggerated vexation of Orsino. His flowery words and lamentations concerning his emotions, such as when he muses on the ?spirit of love, how quick and fresh art thou? (I.i.9), pay heed not to be directed at Olivia but alternatively love itself, revealing his nature as a terrible romantic... If you want to get a full essay, order it on our website:

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